perspective

The photographic series Perspective explores how light and colour influence our perception of space. At its core lies a simple white cube, serving as a neutral surface for variations in coloured light. Through the manipulation of these elements, each composition offers a new visual experience that redefines spatial perception in unexpected ways.

Sharp lines—horizontal, vertical, and diagonal—emerge in each image, challenging the viewer’s perception and engaging the senses. Gradations of light, shadows, and contrasts create a sense of movement: at times the light seems to advance, while at others it retreats. Colours blend subtly or collide forcefully, creating tension or harmony, confrontation or intimacy.

The resulting images are abstract and open in meaning. Each work is identified only by a number, referring to the moment of its capture. Titles are intentionally absent, allowing space for individual interpretation and emotional response. The photographic image is not a conclusion, but rather an invitation to reflect—a suggestion rather than a statement.

Repetition plays a key role in this series. Works are often presented as diptychs or triptychs, establishing a rhythm that deepens the viewer’s sensitivity to the nuances of light and colour. This repetition reveals subtle variations and resonances, drawing the observer into a quiet, contemplative dialogue with the image.

colorfield

Colorfield is a photographic exploration of color, time, and movement. Instead of paint, I use light as the medium: colored beams that are moved across an empty surface in a darkened studio, with the camera capturing everything in one long exposure. The final image does not emerge on the canvas itself, but within the camera – as a visual residue of a performance that remains invisible to the eye.

The title refers to the painting movement in which color was no longer just an illustration, but an experience in itself. In this series, color takes center stage: as space, as rhythm, as breath. Each exposure is the result of concentrated movements – repeated, slowed, varied – with intuition and bodily memory taking the lead over preconceived plans.

Though the process is clearly defined, with fixed parameters of time and space, the final image remains unpredictable. Small shifts lead to surprising interactions between color tones, light intensity, and tempo. The work emerges in a balance between control and surrender – where the unexpected is not avoided, but actively invites

fold

The Fold series consists of sculptures made from a single piece of acrylic glass, UV-printed and folded according to a unique pattern. This precise technique results in an artwork where color, transparency, and layering merge into an intriguing visual interplay.

only the object itself but also the space in which it resides.

These sculptures challenge perception: from whichever angle one approaches the piece, a new experience unfolds. This constant transformation—driven by external factors such as light, time, and movement—forms the core of Fold. The sculpture is not a static object, but a process, a moment of encounter between matter and time.

By playing with optical illusion, materiality, and spatial experience, Fold raises questions about the stability of our sensory perception. The work invites stillness and movement, observation and re-observation—each time anew.

projection reflection

The series Projection Reflection explores the interplay between light, matter, and perception. The point of departure is a photographic recording of light composed within the controlled environment of the studio. Here, colored wavelengths intersect, are captured, and subsequently transformed into a new medium.

The photographic image is translated into physical form through UV printing with pigment on transparent polymer sheets. These prints are then shaped and molded into objects that occupy space. Within this spatial context, each object acquires a new meaning: it no longer functions merely as a carrier of an image, but as an active element within an exchange of reflection, transparency, and shadow.

The specific qualities of the polymer material—its ability to transmit, absorb, and reflect light, as well as its malleability—are essential to the work. Combined with the pigments and materials such as aluminum, copper, and mirrored surfaces, a sculptural language emerges in which light itself becomes a medium.

The space in which each object is situated forms an integral part of the work. The light within the space reveals the object, while the object in turn reveals the space. In this way, a circular relationship unfolds between image and environment, between projection and reflection.

The objects in Projection Reflection are not static; they invite reconfiguration and reinterpretation. Their meaning shifts according to the viewer’s position, the angle of the light, and the context in which they are placed. The work allows for openness, transformation, and an ongoing dialogue between matter, light, and perception.

colliding colours

In Colliding Colours, colour meets colour, light intersects with form, and chance coexists with control. Each work is created in a single exposure, composed of overlapping strokes of coloured light. There is no digital manipulation — only the camera’s eye capturing the fleeting traces of a precise yet unpredictable process.

The result is abstract, yet rich in sensory depth. Geometric compositions seem to hover in space: monolithic, yet weightless. Colours blend into unexpected shades, casting shadows, forming contrasts. Though the images offer no direct references, they evoke associations — of architecture, landscapes, memory.

The power of Colliding Colours lies in its balance between structure and spontaneity. Each step follows strict rules, yet invites the unexpected. The camera records not only light, but the moments between — a unique, unrepeatable collision of colour, form, and space. Meaning is not imposed but offered: an open invitation for viewers to project their own interpretations and to pause within the quiet space between seeing and sensing.